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Name and surname:
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Mgr. Michal Hottmar, PhD.
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Document type:
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Research/art/teacher profile of a person
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The name of the university:
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Comenius University Bratislava
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The seat of the university:
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Šafárikovo námestie 6, 818 06 Bratislava
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| III.a - Occupation-position | III.b - Institution | III.c - Duration |
|---|---|---|
| Special assistant at the position of Associate Professor | Comenius University in Bratislava, Faculty of Education | 2020 - ongoing |
| Special assistant | Comenius University in Bratislava, Faculty of Education | 2019 - 2020 |
| Special assistant | University of Prešov, Faculty of Arts, Institute of Aesthetics and Artistic Culture | 2016-2018 |
| Special assistant | University of Žilina, Department of Music | 2007 - 2016 |
| Teacher | Elemantary Music School of Ferko Špáni, Žilina-Vlčince | 2002-ongoing |
| IV.a - Activity description, course name, other | IV.b - Name of the institution | IV.c - Year |
|---|---|---|
| Early Music Interpretation Courses | Miszla Baroque, early music academy, (Hungaria) | 2020 |
| Baroque Music Masterclasses | Hudební lahůdky, a.z. | 2015 |
| Early Music Interpretation Courses | The company J. K. Mertz, o.z. | 2016 |
| Baroque Music Masterclasses | Hudební lahůdky, a.z. | 2015 |
| Early Music Interpretation Courses | Miszla Baroque, early music academy, (Hungaria) | 2015 |
| Early Music Interpretation Courses | The company J. K. Mertz, o.z. | 2014 |
| Early Music Interpretation Courses | MEMA | 2009 |
| V.1.a - Name of the profile course | V.1.b - Study programme | V.1.c - Degree | V.1.d - Field of study |
|---|---|---|---|
| History and Theory of Music I - II | Teaching of musical art (combined) | I. | Teacher Training and Education Science |
| History of Music I - II | Teaching of musical art (combined) | I. | Teacher Training and Education Science |
| I. |
| V.2.a - Name of the study programme | V.2.b - Degree | V.2.c - Field of study |
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| Teacher Training of Music Art (combined) | I. | Teacher Training and Education Science |
| V.5.a - Name of the course | V.5.b - Study programme | V.5.c - Degree | V.5.d - Field of study |
|---|---|---|---|
| Seminar in the History of Music II | Teaching of English language and literature and music arts, Teaching of German language and literature and music arts, Teaching of Slovak language and literature and music arts, Teaching of Spanish language and literature and music arts, Teaching of citizenship education and music arts, Teaching of history and music arts, Teaching of music arts and Italian language and literature, Teaching of music arts and art education, Teaching of music arts and pedagogy | I. | Teacher Training and Education Science |
| Methodology of professional text production | Teaching of English language and literature and music arts, Teaching of German language and literature and music arts, Teaching of Slovak language and literature and music arts, Teaching of Spanish language and literature and music arts, Teaching of citizenship education and music arts, Teaching of history and music arts, Teaching of music arts and Italian language and literature, Teaching of music arts and art education, Teaching of music arts and pedagogy | I. | Teacher Training and Education Science |
| Playing an obligatory instrument II | Teaching of English language and literature and music arts, Teaching of German language and literature and music arts, Teaching of Slovak language and literature and music arts, Teaching of Spanish language and literature and music arts, Teaching of citizenship education and music arts, Teaching of history and music arts, Teaching of music arts and Italian language and literature, Teaching of music arts and art education, Teaching of music arts and pedagogy | I. | Teacher Training and Education Science |
AAB HOTTMAR Michal: Lute music in the territory of present-day Slovakia in the 16th - 18th centuries. [Lute music in the territory of present-day Slovakia in the 16th - 18th centuries]. Bratislava : Stimul, 2018, 200 s. ISBN 978-80-8127-262-2.
AAB HOTTMAR Michal: Thesaurus Harmonicus (1603) : séria Jean-Baptiste Besard (ca 1567-ca post 1617), zv. 6/1. Bratislava : Stimul, 2016, xxviii + 33 s. Musicalia Istropolitana ; 6 [3,15 AH] ISBN 978-80-8127-142-7.
ID: 1217792 | Luca Marenzio’s liturgical works in music-historical sources from the 16th and 17th centuries on the territory of today’s Slovakia / Hottmar, Michal [Autor, 100%]. – [recenzované]
In: Bulgarian musicology [textový dokument (print)] [elektronický dokument] . – Sofia (Bulharsko) : Institute of Art Studies. – ISSN 0204-823X. – Roč. 48, č. 3 (2024), s. 77-104 [tlačená forma] [online]
ADN HOTTMAR Michal: The lute music in the conterporary Slovakia in the period of renaissance . Jean-Baptista Besard - Thesaurus Harmonicus. In: KOMUNIKÁCIE. Vedecké listy Žilinskej univerzity. Žiina : EDIS, 2005, č. 4, s. 79-81, ISSN 1335-4205. Registorvané v: SCOPUS
ID: 1165599 | History of Music(1) [textový document (print)] [učebný text] : starovek, stredovek / Hottmar, Michal [Autor, 100%] ; Kočišová, Renáta [Recenzent] ; Bažíková, Monika [Recenzent]. – 1. vyd. – Bratislava (Slovensko) : Univerzita Komenského v Bratislave, 2024. – 86 s. [5,06 AH] [tlačená forma]. – ISBN 978-80-223-5700-5
ID: 1174562 | Prieniky tvorby talianskeho skladateľa z konca 16. storočia Orazia Vecchiho na území dnešného Poľska a Slovenska = Penetrations of the work of the Italian composer Orazio Vecchi from the end of the 16th century in the territory of today's Poland and Slovakia / Hottmar, Michal [Autor, 100%]
In: Na pograniczach [textový dokument (print)] : o historii i stosunkach kulturowych / Lipelt, Robert [Zostavovateľ, editor] ; Libera, Zbigniew [Recenzent] ; Kita, Jaroslav [Recenzent] ; Huttmanová, Emília [Recenzent] ; Lipelt, Robert [Recenzent]. – 1. vyd. – Sanok (Poľsko) : Uczelnia Panstwowa im. Jana Grodka w Sanoku, 2023. – (Na Pograniczach Kultur i Narodów, ISSN 2451-2982 ; Tom 20). – ISBN 978-83-67497-50-3, s. 9-24 [tlačená forma]
V2 HOTTMAR Michal: doc. Adam Marec, ArtD., the youngest representative of the guitar school prof. Dušan Lehotský / Hottmar, Michal [Autor, 100%] ; Luska, Jiří [Recenzent] ; Nedělka, Michal [Recenzent] ; Janáčkiana 2022, 36 [02.06.2023-03.06.2023, Ostrava, Česko]
In: Janáčkiana 2022 [textový dokument (print)] : 36. ročník mezinárodní muzikologické konference / Kozel, David [Zostavovateľ, editor] ; Steinmetz, Karel [Zostavovateľ, editor]. – 1. vyd. – Ostrava (Česko) : Ostravská univerzita, 2023. – ISBN 978-80-7599-371-7, s. 157-162 [tlačená forma]
V2 HOTTMAR Michal: Influences of Luca Marenzio's works in Polish and Slovak music collections / Hottmar, Michal [Autor, 100%]
In: Na pograniczach [textový dokument (print)] : historia - kultura - polityka / Lipelt, Robert [Zostavovateľ, editor] ; Libera, Zbigniew [Recenzent] ; Yuskiv, Bohdan [Recenzent] ; Huttmanová, Emília [Recenzent]. – 1. vyd. – Sanok (Poľsko) : Uczelnia Panstwowa im. Jana Grodka w Sanoku, 2022. – (Na Pograniczach Kultur i Narodów, ISSN 2451-2982 ; Tocm 18). – ISBN 978-83-67497-23-7, s. 123-135 [tlačená forma]
ID: 1217792 | Luca Marenzio’s liturgical works in music-historical sources from the 16th and 17th centuries on the territory of today’s Slovakia / Hottmar, Michal [Autor, 100%]. – [recenzované]
In: Bulgarian musicology [textový dokument (print)] [elektronický dokument] . – Sofia (Bulharsko) : Institute of Art Studies. – ISSN 0204-823X. – Roč. 48, č. 3 (2024), s. 77-104 [tlačená forma] [online]
ID: 1165599 | Dejiny hudby (1) [textový dokument (print)] [učebný text] : starovek, stredovek / Hottmar, Michal [Autor, 100%] ; Kočišová, Renáta [Recenzent] ; Bažíková, Monika [Recenzent]. – 1. vyd. – Bratislava (Slovensko) : Univerzita Komenského v Bratislave, 2024. – 86 s. [5,06 AH] [tlačená forma]. – ISBN 978-80-223-5700-5
AAB HOTTMAR, Michal: Thesaurus Harmonicus (1603) [textual document (print)] : series Jean-Baptiste Besard (ca 1567-ca post 1617), vol. 6/1 / Hottmar, Michal [author, 100%] ; Király, Peter [reviewer] ; Hulková, Marta [reviewer]. - Bratislava (Slovakia) : Univerzita Komenského v Bratislave. Philosophical Faculty of Charles University in Bratislava. Stimul, 2016. - 28] 33 s. [3,15 AH] [print form]. - (Musicalia Istropolitana ; 6). - ISBN 978-80-8127-142-7
[04] Musical life in the Renaissance and Baroque periods in Slovakia [textual document (print)] : music centres, musicians, musical sources / Kočišová, Renáta [author, 100%] ; Gunder, Liubov [reviewer] ; Ruchin, Peter [reviewer]. - Prešov (Slovensko) : University of Prešov. University of Presov Publishing House, 2020. - 115 s. [print form]. - ISBN 978-80-555-2629-4
AFD HOTTMAR, Michal: Lute and monuments of lute music in Slovakia in the 16th and early 17th century / Hottmar, Michal [Author, 100%] ; Pramene slovenskej hudby, 31 [13.09.2011-14.09.2011, Prešov, Slovakia]
In: Pramene slovenskej hudby [textual document (print)] : musical instrument - source of artifactual music : proceedings of the 31st conference of music librarians, archivists and museums / Božeková, Martina [Compiler, editor] ; Kucianová, Anna [Compiler, editor] ; Urbancová, Anna [Reviewer] ; Žilková, Anna [Reviewer]. - 1st ed. - Roč. 1. - Martin (Slovensko) : Slovak National Library, 2012. - ISBN 978-80-89301-91-1, p. 27-41 [printed form]
[04] Musical life in the Renaissance and Baroque periods in Slovakia [textual document (print)] : musical centres, musicians, sources of music / Kočišová, Renáta [Author, 100%] ; Gunder, Liubov [Reviewer] ; Ruchin, Peter [Reviewer]. - 1st ed. - Prešov (Slovensko) : Prešov University. University of Presov Publishing House, 2020. - 115 s. [printed form]. - ISBN 978-80-555-2629-4
AED HOTTMAR, Michal: Historical development of the lute and its tablature system / Hottmar, Michal [Author, 100%] ; Katuščák, Dušan [Compiler, editor, 100%] ; Felix, Belo [Reviewer] ; Šimčík, Daniel [Reviewer]
In: Musical Contexts [textual document (print)] / Katuščák, Dušan [Compiler, editor]. - 1st ed. - Žilina (Slovensko) : University of Žilina, 2016. - ISBN 978-80-554-1185-9, p. 185-204 [printed form]
[04] Medieval musical monuments from the territory of Slovakia [textual document (print)] : two fragments of Great Moravia and a selection of manuscripts of medieval Hungary in the context of the history of music / Kočišová, Renáta [Author, 100%] ; Bednáriková, Janka [Reviewer] ; Kónya, Peter [Reviewer]. - 1st ed. - Prešov (Slovensko) : Prešov University. University of Prešov Publishing House, 2017. - 198 s. [printed form]. - ISBN 978-80-555-1773-5
AED HOTTMAR, Michal: Printed monuments of lute music in Slovakia in the 16th and 17th centuries / Hottmar, Michal [Author, 100%]. - [peer-reviewed]
In: Music historical research in Slovakia at the beginning of the 21st century [textual document (print)] / [without compiler] [Compiler, editor]. - Bratislava (Slovakia) : Comenius University in Bratislava. Philosophical Faculty of Charles University in Bratislava (Slovakia). Stimul, 2007. - ISBN 978-80-89236-35-0, p. 265-283 [printed form]
[04] Musical culture in the cities and regions in the 16th century in Slovakia - state of research and prospective tasks = Musikkultur in den Städten und Regionen auf dem Gebiet Slowakei im 16. Jahrhundert - Stand der Forschung und perspektivische Aufgaben / Hulková, Marta [Author, 100%]
In: Music-historical research in Slovakia at the beginning of the 21st century II. / Hulková, Marta [Compiler, editor]. - 1 ed. - Bratislava (Slovakia) : Comenius University in Bratislava. In the Slovak language, the Slovak language, the Slovak language, the Slovak language, the Slovak language, the Slovak language. Stimul, 2010. - ISBN 978-80-89236-55-8, p. 175-199
AAB HOTTMAR, Michal: Lute music on the territory of present-day Slovakia in the 16th-18th centuries [textual document (print)] / Hottmar, Michal [Author, 100%] ; Medňanský, Karol [Reviewer] ; Martinček, Peter Ján [Reviewer]. - 1st ed. - Bratislava (Slovakia) : Comenius University in Bratislava. Faculty of Philosophy, Charles University in Bratislava. Stimul, 2018. - 200 s. [printed form]. - ISBN 978-80-8127-262-2
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(Norwegian Register for Scientific Journals, Series and Publishers:470632) 1173820: Michal Hottmar, Lutnová hudba na území Slovenska v 16.–18. storočí = Lute music in Slovak territory in the sixteenth to eighteenth centuries / Kňažíková, Anna [Autor, 100%].
In: Journal of the Lute Society of America [textový dokument (print)] [elektronický dokument] . – Concord (USA) : Lute Society of America. – ISSN 0076-1524. – Roč. 55 (2022), s. 97-100 [tlačená forma] [online]03
03
1318822: Michal Hottmar. Lutnová hudba na území dnešného Slovenska v 16.–18. storočí / Kozel, Michal [Autor, 100%].
In: Muzikologické fórum [textový dokument (print)] . – Praha (Česko) : Česká společnost pro hudební vědu. – ISSN 1805-3866. – Roč. 13, č. 1-2 (2024), s. 183-184 [tlačená forma] 03 884574: Michal Hottmar: Lutnová hudba na území dnešného Slovenska v 16. – 18. storočí / Kočišová, Renáta [Autor, 100%]. – DOI 10.31577/musicoslov.2022.2.11.
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884574: Michal Hottmar: Lutnová hudba na území dnešného Slovenska v 16. – 18. storočí / Kočišová, Renáta [Autor, 100%]. – DOI 10.31577/musicoslov.2022.2.11.
In: Musicologica slovaca [textový dokument (print)] [elektronický dokument] . – Bratislava (Slovensko) : Slovenská akadémia vied. – ISSN 1338-2594. – ISSN (online) 2729-9783. – Roč. 13, č. 2 (2022), s. 303-305 [tlačená forma] [online]
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305681: Hudobný život v renesancii a baroku na území Slovenska [textový dokument (print)] [učebnica pre vysoké školy (do 2021)] : hudobné centrá, hudobníci, pramene hudby / Kočišová, Renáta [Autor, 100%] ; Gunder, Liubov [Recenzent] ; Ruščin, Peter [Recenzent]. – 1. vyd. – Prešov (Slovensko) : Prešovská univerzita v Prešove. Vydavateľstvo Prešovskej univerzity, 2020. – 115 s. [tlačená forma]. – ISBN 978-80-555-2629-4
VEGA 2/0006/21 (2021 - 2024) Transregional relations of sources of sacred and secular music from the territory of Slovakia in the 12th - 17th centuries - member of the research team (Institute of Musicology of the Slovak Academy of Sciences)
Annotation:
The project focuses on the processing of the oldest music books in Slovakia and of Slovak provenance abroad, which form an integral part of cultural, artistic and educational identity in Europe. The aim of the project is to determine the local elements and trans-regional relationships of specific materials of sacred and secular music from the 12th - 17th centuries from the territory of Slovakia and Slovak provenance abroad. The object of the basic research will be complete and fragmentary surviving musical manuscripts and prints, which will be evaluated on the basis of the migration of cultural, religious and artistic stimuli influencing particular religious centres, institutions, cities and individuals (kings, nobles, church dignitaries, townspeople). The transfer of impulses, inspirations and models reflected in the various components of musical culture (musical genres, repertoire, musical content, liturgy, notation, decoration of manuscripts, etc.) will be traced. The project will result in a comprehensive, analytical and comparative treatment of musical sources.
FPU 25-133-00684 (2025) Liquide perle - koncert historickej hudby (hudba z Banskej Štiavnice)
Annotation:
Musical culture has a rich tradition in Slovakia. During the 16th–18th centuries, music was cultivated in churches, aristocratic residences, and urban environments. The works of prominent European composers such as Claudio Monteverdi, Orlando di Lasso, Heinrich Schütz, Luca Marenzio, and Heinrich Ignaz Franz Biber were represented in the territory of present-day Slovakia, alongside works by local composers such as Samuel Capricornus, Johann Kusser, Ján Šimrák, and Zachariáš Zarewutius. However, a significant part of this repertoire gradually disappeared from concert practice.
The project Liquide perle – A Concert of Early Music aims to revive the works of the prominent Italian madrigalist Luca Marenzio preserved in music-historical sources from the territory of present-day Slovakia through a series of nine concerts. The programme focuses on Marenzio’s secular madrigals documented in the 1633 inventory of Michal Apicius, a teacher from Banská Štiavnica. The vocal compositions will be performed with historically appropriate instrumental accompaniment consisting of viola da gamba, theorbo, and harpsichord. The programme will also include solo and chamber works by Marenzio’s contemporaries.
The significance of the project lies primarily in the artistic revival of the musical repertoire documented in the Apicius inventory and its presentation to contemporary audiences. At the same time, the project highlights the importance of historical musical sources preserved in Slovakia and their connections with European musical culture. By presenting repertoire that has not previously been revived in modern performance practice, the project contributes to a broader understanding and presentation of Slovakia’s musical cultural heritage.
FPU 25-133-00701 (2025) Florilegium Musicum Žilina - Early Music Festival 2025
Abstract:
Musical culture in Slovakia has a rich tradition, which has developed since the Middle Ages in churches, monasteries, aristocratic residences and bourgeois circles. In the 16th–18th centuries, the works of prominent European and domestic composers were performed in our region, though a large part of this historical repertoire has gradually disappeared from concert practice.
The Florilegium Musicum Žilina International Early Music Festival is a platform dedicated to reviving historical music associated with the Central European region, particularly Slovakia, Hungary and Poland. Its aim is to stage works from the Middle Ages to the Classical period, preserved in domestic and foreign music-historical sources, and to present them through historically informed performance.
The focus of the 2025 edition will be the premiere performance of works from the 16th–18th centuries preserved in sources from the territory of present-day Slovakia, including the Levoča and Bardejov music collections and the Bratislava music inventories. The repertoire is also based on the findings of musicological research by Slovak scholars and highlights the historical links between Slovakia’s musical culture and the wider European context.
The festival will take place 28–29 March 2025 in Žilina, featuring the ensembles Ensemble Thesaurus Musicum (Slovakia) and Ensemble del Passato (Poland). Its main contribution is the artistic revival and promotion of Central Europe’s musical and cultural heritage to contemporary audiences.
FPU 26-733-02429 Európsky lutnový orchester_Belluno (2026)
Abstract:
The European Lute Orchestra is a unique international ensemble bringing together performers on historical plucked instruments of the lute family – lutes, theorboes, colascions and historical mandolins. Since its inception in around 2014, it has brought together musicians from several European countries and performs regularly at international festivals. Its repertoire includes lute music from Italy, France, England, Germany and Central Europe, performed in accordance with the principles of historically informed performance.
My participation in the orchestra as the sole Slovak performer and theorbo player presents an opportunity to showcase Slovak performance art on an international stage. The project involves a three-day rehearsal process and a concert performance at the festival in Belluno, Italy.
As a performer on historical musical instruments and a musicologist, this project will provide me with new experience in the field of historically informed performance and the opportunity to establish professional contacts with European performers. The knowledge and experience gained will subsequently be put to use at home through concert, teaching and publishing activities, thereby enabling the project to contribute to the development and promotion of early music in Slovakia.
FPU 26-131-04632 Dice mi la mia stella - Hudba Lucu Marenzia v Slovenských hudobných archívoch (2026)
Abstract:
Musical culture in Slovakia has a rich tradition and, in the 16th–18th centuries, was closely linked to the European musical scene. Domestic musical sources have preserved works by important European and domestic composers, although a large part of this repertoire has gradually disappeared from performance practice.
The aim of the project is, based on original musicological research and a critical edition by M. Hottmar, to produce a recording of villanelles and madrigals by the prominent Italian composer Luco Marenzio (1554–1599) and his contemporaries. Marenzi’s works formed part of the musical culture of Levoča, Bardejov, Banská Štiavnica and Bratislava in the 16th and 17th centuries.
The repertoire is performed by Ensemble Thesaurus Musicum, comprising five singers and three instrumentalists, in accordance with the principles of historically informed performance. Of particular significance is the premiere performance and recording of compositions documented in the Inventory of Musical Works by Michal Apicius of Banská Štiavnica, which have not previously been made available for performance. The project thus links musicological research with artistic practice and makes a significant part of the musical cultural heritage accessible to the general public.
| VII.a - Activity, position | VII.b - Name of the institution, board | VII.c - Duration |
|---|---|---|
| IMS Study Group "Tablature in Western Music" / member of Lute society/ member of Lute society of America/ member of Societa del liuto/ member of SNS IAML - Slovak section of the International Association of Musicological Libraries | International Musicological Society Lute society Lute society of America Societa del liuto SNS IAML - Slovak Section of the International Association of Musicological Libraries | 2018 - so far 2007 - so far 2016 - so far 2016 - so far 2010 - 2018 |
| Membership in the editorial boards: Musicologica Slovaca | Institute of Musicology of the Slovak Academy of Sciences | 2020- ongoing |
| VIII.a - Name of the institution | VIII.b - Address of the institution | VIII.c - Duration (indicate the duration of stay) | VIII.d - Mobility scheme, employment contract, other (describe) |
|---|---|---|---|
| Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie, FACULTY OF ART | 42-200 Częstochowa Waszyngtona 4/8, Poland | 1.10.2011 | Erasmus+ |
Dr. Michal Hottmar (*1974) studied guitar at the Žilina Conservatory in the class of prof. Dušan Lehotský. He further focused his studies on musicology and early music in Bratislava (Musicology, Faculty of Music, Charles University), where he obtained his Master's degree as well as a PhD in History and Theory of Music with a focus on the monuments of lute music in the territory of present-day Slovakia in the 16th-17th centuries. He lectures in historical and theoretical disciplines at the universities in Žilina, Prešov and Bratislava. He is the author of the monograph Jean-Baptiste Besard: Thesaurus Harmonicus. Liber primus; Lute music in the territory of present-day Slovakia in the 16th-18th century and many specialist studies on lute music. Michal Hottmar's scientific, research and artistic activity consists in researching the monuments of lute, instrumental and vocal-instrumental music of the 16th-18th centuries in Slovakia, which resulted in reconstructions of compositions of this character published in domestic and international journals and collections. As a member of the International Musicological Society (study group "Tablature in Western Music"), he lectured in Vienna in 2010 and in Tours (France) in 2017. Michal Hottmar's artistic-performing activity consists in the interpretation of lute music monuments of both domestic and foreign provenance
As a basso continuo player, he practically deals with issues of historically informed interpretation of instrumental and vocal-instrumental music of the 16th to 18th centuries. He has honed his performance skills in performance courses in the classes of such eminent lutenists as P. O'Dette, P. Beier, A. Abramovich, M. Student, J. Čižmář, etc. Michal Hottmar is a member of the European Lute Orchestra, with which he has performed in Italy, the Netherlands and Germany. As a basso continuo player he cooperates with the Hilaris Chamber Orchestra, with whom he has performed at the Slovak Philharmonic. Michal Hottmar is a member of the English, American and Italian Lute Societies, artistic director and dramaturge of the Musica Testudinis Slovaca Festival, Florilegium Musicum Žilina and Ensemble Thesaurus Musicum. Michal Hottmar studied Theory and Performance Practice of Early Music at Masaryk University in Brno, lute and basso continuo. He also frequently collaborates with Slovak artists such as Marcel Benčík, Eva Tkáčiková/ Samo Čarnoky and others, for whom he composes original music for exhibitions.