I. - Basic information

I.1 - Surname

Kajanová

I.2 - Name

Yvetta

I.3 - Degrees

prof., Mgr., CSc.

I.4 - Year of birth

1964

I.5 - Name of the workplace

Faculty of Arts, Comenius University

I.6 - Address of the workplace

Gondova 2, 811 02 Bratislava

I.7 - Position

professor of musicology

I.8 - E-mail address

yvetta.kajanova@uniba.sk

I.9 - Hyperlink to the entry of a person in the Register of university staff

https://www.portalvs.sk/regzam/detail/3982

I.10 - Name of the study field in which a person works at the university

musicology

I.11 - ORCID iD

https://orcid.org/0000-0002-4356-1129

II. - Higher education and further qualification growth

II.1 - First degree of higher education

II.a - Name of the university or institution

Faculty of Arts, Comenius University

II.b - Year

1986

II.c - Study field and programme

musicology

II.2 - Second degree of higher education

II.a - Name of the university or institution

Faculty of Arts, Comenius University

II.b - Year

1986

II.c - Study field and programme

musicology

II.3 - Third degree of higher education

II.a - Name of the university or institution

Faculty of Arts, Comenius University

II.b - Year

1994

II.c - Study field and programme

theory and history of music

II.4 - Associate professor

II.a - Name of the university or institution

Faculty of Arts, Comenius University

II.b - Year

2003

II.c - Study field and programme

musicology

II.5 - Professor

II.a - Name of the university or institution

Faculty of Arts, Comenius University

II.b - Year

2012

II.c - Study field and programme

theory of music

II.6 - Doctor of Science (DrSc.)

III. - Current and previous employment

III.a - Occupation-position	III.b - Institution	III.c - Duration
editor	Rytmus journal, Obzor publisher house	1986-1987
editor	Slovak Music Fund	1987-1990
postgraduate student, assistent	Dpt. of musicology, Faculty of Arts, Comenius University	1990-1993, 1993-2003
scientific worker	Institute of Musicology, Slovak Academy of Science	1999-2002
ass.professor, professor	Dpt. of Musicology, Faculty of Arts, Comenius University	2003-2012, 2012-present

IV. - Development of pedagogical, professional, language, digital and other skills

IV.a - Activity description, course name, other	IV.b - Name of the institution	IV.c - Year
AIS	Faculty of Arts, Comenius University	2008
MS Teams, Zoom	Faculty of Arts, Comenius University	2020
English online conversation	Practice Speaking English Online, https://www.google.com/search?client=firefox-b-d&q=english+online+conversation	2013
English online conversation	Practice Speaking English Online, https://www.google.com/search?client=firefox-b-d&q=english+online+conversation	2014

V. - Overview of activities within the teaching career at the university

V.1 - Overview of the profile courses taught in the current academic year according to study programmes

V.1.a - Name of the profile course	V.1.b - Study programme	V.1.c - Degree	V.1.d - Field of study
Musical criticism	musicology	I.	Theory and History of Art and Culture
History of jazz	musicology	I.	Theory and History of Art and Culture
History of rock	musicology	II.	Theory and History of Art and Culture
Management of musical culture	musicology	II.	Theory and History of Art and Culture
Sociology of music	musicology	II.	Theory and History of Art and Culture
Doctoral seminar	Art studies	III.	Theory and History of Art and Culture
Music journalism and editorial practice	musicology	II.	Theory and History of Art and Culture
Seminar on ethnomusicology, history and theory of jazz, rock, pop	musicology	I.	Theory and History of Art and Culture

V.2 - Overview of the responsibility for the delivery, development and quality assurance of the study programme or its part at the university in the current academic year

V.2.a - Name of the study programme	V.2.b - Degree	V.2.c - Field of study
musicology	II.	Theory and History of Art and Culture
musicology, Art Studies	III.	Theory and History of Art and Culture

V.3 - Overview of the responsibility for the development and quality of the field of habilitation procedure and inaugural procedure in the current academic year

V.3.a - Name of the field of habilitation procedure and inaugural procedure	V.3.b - Study field to which it is assigned
Habilitation (ass. prof.) and professor appointment procedure in the field 0288 musicology	Theory and History of Art and Culture

V.4 - Overview of supervised final theses

V.4.1 - Number of currently supervised theses

V.4.a - Bachelor's (first degree)

V.4.b - Diploma (second degree)

V.4.c - Dissertation (third degree)

V.4.2 - Number of defended theses

V.4.a - Bachelor's (first degree)

V.4.b - Diploma (second degree)

V.4.c - Dissertation (third degree)

V.5 - Overview of other courses taught in the current academic year according to study programmes

V.5.a - Name of the course	V.5.b - Study programme	V.5.c - Degree	V.5.d - Field of study
Music journalism and editorial practice	musicology	II.	Theory and History of Art and Culture
History of popular music and jazz - whole faculty course	musicology	I.	Theory and History of Art and Culture
History and Theory of Jazz and Popular Music (Central Europe, in English)	0232 Central European studies	I.	Philology
Seminar on ethnomusicology, history and theory of jazz, rock, pop 1-Slovak	musicology	I.	Theory and History of Art and Culture
Seminar on ethnomusicology, history and theory of jazz, rock, pop 2-world scene	musicology	II.	Theory and History of Art and Culture
Doctoral Project Seminar	Art studies	III.	Theory and History of Art and Culture
Management of musical culture	musicology	II.	Theory and History of Art and Culture
Music sociology	musicology	II.	Theory and History of Art and Culture
History of rock	musicology	II.	Theory and History of Art and Culture
History of jazz	musicology	I.	Theory and History of Art and Culture

VI. - Overview of the research/artistic/other outputs

VI.1 - Overview of the research/artistic/other outputs and the corresponding citations

VI.1.1 - Number of the research/artistic/other outputs

VI.1.a - Overall

224

VI.1.b - Over the last six years

VI.1.2 - Number of the research/artistic/other outputs registered in the Web of Science or Scopus databases

VI.1.a - Overall

VI.1.b - Over the last six years

VI.1.3 - Number of citations corresponding to the research/artistic/other outputs

VI.1.a - Overall

445

VI.1.b - Over the last six years

150

VI.1.4 - Number of citations registered in the Web of Science or Scopus databases

VI.1.a - Overall

VI.1.b - Over the last six years

VI.1.5 - Number of invited lectures at the international, national level

VI.1.a - Overall

VI.1.b - Over the last six years

VI.2 - The most significant research/artistic/other outputs

AAB Gospel music na Slovensku/Gospel music in Slovakia. Bratislava: CoolArt, 2009, 256s, ISBN 978-80-969080-4-2.

AFC Denotative components of jazz during the period of communism as exemplified in Czech and Slovak jazz. In: Jazz behind the iron curtain. Frankfurt am Main: Peter Lang, 2010, p. 65-81, ISBN 978-3-631-59172-7.

ADC The Rock, pop and jazz in contemporary musicological studies. In: International Review of the Aesthetics and Sociology of Music, roč. 44, č.2, 2013, p. 343-359, ISSN 0351-5796.

AAB Slovenský jazz, kontexty a súvislosti/Slovak jazz, contexts and relationships. Bratislava: UK, 2014, 316s., ISBN 978-80-223-3709-0.

ACA On The History of Rock Music. Frankfurt am Main: Peter Lang, 2014, 116s, ISBN 978-3-631-65556-6.

VI.3 - The most significant research/artistic/other outputs over the last six years

AEC Jazz artists in the former Czechoslovak Socialist Republic and their conflicts with the socialist ideology, The changing face of Slovak jazz. In: Jazz from Socialist Realism to Postmodernism, Frankfurt am Main: Peter Lang, 2016, p. 119-137, 225-242 (Jazz under State Socialism vol. 5), ISBN 978-3-631-67173-3.

AEC The History of European Jazz: the music, musicians and audience in context, The Czech Republic, Slovakia. Equinox, Shefield: 2018, p. 302-320, ISBN 9781781794463.

AEC Rock, pop and jazz research development in the former Czechoslovak Socialist Republic and present - Day Slovakia. In: Popular music in Communist and Post-communist Europe. - : 1. vyd. Berlín : Peter Lang, 2019. - S. 31-48 (Jazz under State Socialism, vol. 6), ISBN 978-3-631-77463-2.

ADM Jazz na Slovensku v období fašizmu/Jazz in Slovakia during period of fascism, in: Musicologica Brunensia, roč. 54, č. 2, 2019, s. 29-42, ISSN (online) 2336-436X

ADC Crossing Borders Between Traditions and a Global Approach to Music Culture in Central Europe as Exemplified by Klezmer and Flamenco. In: International Review of the Aesthetics and Sociology of Music, roč. 51, č.2, 2020, p. 253-263, ISSN 0351-5796.

VI.4 - The most significant citations corresponding to the research/artistic/other outputs

Y. Kajanová: Towards a periodization of Slovak pop music and jazz. In: Musicologica Istropolitana 6. - Bratislava : Stimul, 2007. - ISBN 978-80-89236-43-5. - S. 197-216 Zaddach, W-G. - In: Jazz and totalitarianism . - New York : Routledge, 2017 ; S. 133

Y. Kajanová: Denotative components of jazz during the period of communism as exemplified in Czech and Slovak jazz. In: Jazz behind the iron curtain. Frankfurt am Main: Peter Lang, 2010, p. 65-81. Zaddach, W-G. - In: Jazz and totalitarianism . - New York : Routledge, 2017 ; S. 133

Y. Kajanová: On The History of Rock Music. Frankfurt am Main: Peter Lang, 2014, Papazova Zhabeva, J. - In: IASPM journal (Canada), roč. 6, č. 1, 2016, p. 161-163, Senn, O. - Bechtold, T. A. - Hoesl, F. - Kilchenmann L. : Taste and familiarity affect the experience of groove in popular music. - In: Musicae Scientiae, (15. april, 2019)

Y. Kajanová: The Rock, pop and jazz in contemporary musicologica. studies. In: International Review of the Aesthetics and Sociology of Music, roč. 44, č.2, 2013, p. 343-359. Lefkovitz, A. - In: Louis Armstrong, Duke Elington and Miles Favis : a twentieth-century transnational biography . - Lanham : Rowman & Littlefield, 2018 ; S. 121

Y. Kajanová: The Rock, pop and jazz in contemporary musicological studies. In: International Review of the Aesthetics and Sociology of Music, roč. 44, č.2, 2013, p. 343-359. Corchia, L.: Sugli inizi dell´interpretazione sociologica del Rock : Alle ricerca di un nuovo canone estetico. - In: The Lab´s Qurterly, roč. 20, č. 2, 2018 ; s. 164

VI.5 - Participation in conducting (leading) the most important research projects or art projects over the last six years

HORIZON 2020, 2016–2019, COURAGE – Cultural Opposition: Understanding the Cultural Heritage ofDissent in the Former Socialist Countries (spoluriešiteľka/co-investigator).

APVV 14-0681, 2015-2019, Hudba v Bratislave (spoluriešiteľka) /Music in Bratislava (co-investigator).

VEGA 1/0086, 2015-2018, Multikulturalizmus v slovenskej hudbe (zodpovedná riešiteľka)/ Multiculturalism in Slovak Music (Grant leader).

Visegrad 51600085, 2017, Alternative rock scene in former Yugoslavia, (co-investigator)

2013, US Embassy in Bratislava, grant for conference European Jazz Personalities

VEGA 1/0015/19, 2019-2022, Kompozícia v kontextoch jazzu, rocku, európskej hudby 20. storočia a súčasnosti/Composition in context of jazz, rock, european classical music of the 20th century and contemporary time (Grant leader).

VEGA 1/0016/23, 2023-2026, Musical, Critical, and Stylistic Interpretation of Jazz, Rock, 20th-Century European Music, and Contemporary Music (Grant Leader).

VII. - Overview of organizational experience related to higher education and research/artistic/other activities

VII.a - Activity, position	VII.b - Name of the institution, board	VII.c - Duration
secretary	Common commission of the Institute of Musicology of the Slovak Academy of Sciences and the Department of Musicology for the PhD. award	2000-2008
member	Scientific Council of the Slovak Academy of Sciences - Institute of Musicology	2006-2007
member	Academic Senate Faculty of Philosophy, Comenius University	2008-2012
member	Scientific board of the Department of Musicology, Palacky University Olomouc, Czech Republic	2016-present
member	editorial board Mimesis International Italy, http://mimesisinternational.com/category/music/	2020
member	Board member of the Bachalor and Masters final exams	2006-present
member of the Council for human sciences	Slovak Research and Development Agency	2024

VIII. - Overview of international mobilities and visits oriented on education and research/artistic/other activities in the given field of study

VIII.a - Name of the institution	VIII.b - Address of the institution	VIII.c - Duration (indicate the duration of stay)	VIII.d - Mobility scheme, employment contract, other (describe)
Filozofická fakulta Univerzity Palackého, Dpt. of musicology	Univerzitní 3, 779 Olomouc, Czech Republic	8 April 2008-15 April 2008	mibility scheme
Uniwersytet Jagielloński, Instytut muzykologii	Westerplatte 10, 31-033 Krakow, Poland	13 May 2009-19 May 2009	mibility scheme
Ústav hudební vědy, Karlova univerzita /Charles University	Jana Palacha 2, 116 38 Praha, Czech Republic	15 April 2010-30 April 2010	mobility scheme
Freie Universität	Kaiserwether Str. 16-18, 141 95 Berlin, Germany	11 June 2010-20 June 2010	Jazz im Ostblock, grant Volkswagen
IULM-Universita di comunicazione e lingue	Via Carlo Bo 1, 201 43 Milano, Italy	1 June 2016-15 June 2016	employment contract
IULM-Universita di comunicazione e lingue	Via Carlo Bo 1, 201 43 Milano, Italy	27 May 2018-14 June 2018	employment contract
IULM-Universita di comunicazione e lingue	Via Carlo Bo 1, 201 43 Milano, Italy	26 June - 30 June 2023	employment contract

IX. - Other relevant facts

Date of last update

2024-03-25

Name and surname:	prof. PhDr. Iveta Kajanová, CSc.
Faculty:	FiF - Faculty of Arts