Research/art/teacher profile of a person
Name and surname:
doc. Mgr. Andrea Euringer Bátorová
Document type:
Research/art/teacher profile of a person
The name of the university:
Comenius University Bratislava
The seat of the university:
Šafárikovo námestie 6, 818 06 Bratislava

I. - Basic information

I.1 - Surname
Euringer Bátorová
I.2 - Name
Andrea
I.3 - Degrees
doc. Dr. phil. Mgr.
I.4 - Year of birth
1977
I.5 - Name of the workplace
Department of archival studies and museology
I.6 - Address of the workplace
Gondova 2, 81102 Bratislava
I.7 - Position
Odborná asistentka
I.8 - E-mail address
andrea.batorova@uniba.sk
I.10 - Name of the study field in which a person works at the university
History of Art

II. - Higher education and further qualification growth

II.1 - First degree of higher education
II.2 - Second degree of higher education
II.a - Name of the university or institution
Comenius University Bratislava
II.b - Year
2002
II.c - Study field and programme
History of Art
II.3 - Third degree of higher education
II.a - Name of the university or institution
University Regensburg, Germany
II.b - Year
2007
II.c - Study field and programme
History of Art
II.4 - Associate professor
II.a - Name of the university or institution
Constantine Philosopher University Nitra, Slovakia
II.b - Year
2022
II.c - Study field and programme
Cultural studies
II.5 - Professor
II.6 - Doctor of Science (DrSc.)

III. - Current and previous employment

III.a - Occupation-position III.b - Institution III.c - Duration
assistant curator Staatsgalerie Stuttgart, Štutgart, (Nemecko) 2007-2009
assistant researcher Vysoká škola výtvarných umení v Bratislave, Centrum výskumu 2011-2017
assistant researcher Univerzita Komenského v Bratislave, FFUK, Department of cultural studies 2017-2020
assistant researcher Univerzita Komenského v Bratislave, Department of art history 2020-2024
assistant researcher Univerzita Komenského v Bratislave, Department of archival studies and museology 2024 - today

IV. - Development of pedagogical, professional, language, digital and other skills

IV.a - Activity description, course name, other IV.b - Name of the institution IV.c - Year
French B2 University Regensburg 2002

V. - Overview of activities within the teaching career at the university

V.1 - Overview of the profile courses taught in the current academic year according to study programmes
V.1.a - Name of the profile course V.1.b - Study programme V.1.c - Degree V.1.d - Field of study
Everyday in Arts I. Vedy o umení a kultúre History of Art
Everyday in Arts II. Vedy o umení a kultúre History of Art
Resonances: Alternative and unofficial art in V4 coutried before 1989 I. Vedy o umení a kultúre History of Art
Resonances: Alternative and unofficial art in V4 coutried before 1989 II. Vedy o umení a kultúre History of Art
Text seminary: Resonances: Alternative and unofficial art in V4 coutried before 1989 I. Vedy o umení a kultúre History of Art
Text seminary: Resonances: Alternative and unofficial art in V4 coutried before 1989 II. Vedy o umení a kultúre History of Art
V.2 - Overview of the responsibility for the delivery, development and quality assurance of the study programme or its part at the university in the current academic year
V.3 - Overview of the responsibility for the development and quality of the field of habilitation procedure and inaugural procedure in the current academic year
V.4 - Overview of supervised final theses
V.4.1 - Number of currently supervised theses
V.4.2 - Number of defended theses
V.4.a - Bachelor's (first degree)
12
V.4.b - Diploma (second degree)
9
V.5 - Overview of other courses taught in the current academic year according to study programmes
V.5.a - Name of the course V.5.b - Study programme V.5.c - Degree V.5.d - Field of study
Art history of ancient Greece and Roman empire marketing communication Mgr, Bc. art history
Art history of renaissance marketing communication Mgr., Bc. art history
Art history of baroque marketing communication Mgr., Bc. art history
Art history of 19th and 20th century marketing communication Mgr., Bc. art history

VI. - Overview of the research/artistic/other outputs

VI.1 - Overview of the research/artistic/other outputs and the corresponding citations
VI.1.1 - Number of the research/artistic/other outputs
VI.1.a - Overall
50
VI.1.b - Over the last six years
18
VI.1.2 - Number of the research/artistic/other outputs registered in the Web of Science or Scopus databases
VI.1.a - Overall
8
VI.1.b - Over the last six years
6
VI.1.3 - Number of citations corresponding to the research/artistic/other outputs
VI.1.a - Overall
33
VI.1.b - Over the last six years
16
VI.1.4 - Number of citations registered in the Web of Science or Scopus databases
VI.1.a - Overall
13
VI.1.b - Over the last six years
12
VI.1.5 - Number of invited lectures at the international, national level
VI.1.a - Overall
15
VI.1.b - Over the last six years
9
VI.2 - The most significant research/artistic/other outputs
1

AAA Andrea Bátorová, Aktionskunst in der Slowakei in den 1960er Jahren. Aktionen von Alex Mlynárčik, LIT Verlag, Berlin 2009 ISBN: 978-3-8258-1838-8, 405 s. 

 


2

AAB Andrea Bátorová, The Art of Contestation. Performative practices in the 1960s and 1970s in Slovakia. 1. vyd. Bratislava: Vydavateľstvo UK, 2019. ISBN: 978-80-223-4698-6. 218 s.



3

AEC Andrea Bátorová, 'Bitte drehen sie mich in die richtige Richtung'. Zur Kunst der Kontestation in den inoffiziellen performativen Praktiken in der Slowakei in den 1970er Jahre. In: Adam Czirak (Hg.): Performancekunst als Renitenz. Kritik und ihre Publizität in Zeiten politischer Repression. 1. vyd. Bielefeld: transcript Verlag, 2019, str. 91-115. 



4

AEC Bátorová Andrea: „Outside by Being Inside: Unofficial Artistic Strategies in the Former Czechoslovakia in the 1970s and 1980s“, in: Katalin Cseh-Varga und Adam Czirak (Hg.): Performing Arts in the Second Public Sphere. Event-based Art in Late Socialist Europe, New York; London: Routledge 2018, str. 102-114. 



5

AEC Bátorová Andrea, Ausstellungen als (un)politische Medien. Danuvius 68 und II. Permanente Manifestationen (Zur alternativen und inoffiziellen Kunst in den 1960er Jahren), in: When exhibitions become politics, Ed. Verena Krieger, Böhlau: Köln Weimar Wien 2017, str. 163-181.


6

V2 Bátorová Andrea, “´Non-systemic Remains of Humanity´ or Creative Dissent as a School of Free Thinking”, in: Two Sides of the Same Coin. Examples of Free and Unfree Education in Slovakia durig the Period of Socialism”, Blanka Kudláčová (ed.), Berlin: Peter Lang, 2023, str. 266-285.

7

V2 Euringer Bátorová, Andrea (aut) [UKOFIVU] (100%): Art history and its narratives in former Czechoslovakia

before and after 1989

In: Revolving documents : Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance

Art. - Zürich : Diaphanes, 2024. - S. 41-61. - ISBN 978-3-0358-0683-0

[Revolving documents #1. Bazilej, 09.06.2022-10.06.2022]

príspevok z podujatia konferenčný príspevok

020 Humanitné vedy

8110 humanitné vedy vedy o umení a kultúre


URL: https://www.diaphanes.net/titel/revolving-documentsnarrations-of-beginnings-recent-methods-and-

cross-mappings-of-performance-art-7577


Registrované v:

OA Open access

8

AFD Bátorová Andrea, Topografia existencie medzi Východom a Západom v zrkadle korešpondencie. Tomáš Strauss ako referenčný bod pre neoficiálnu umeleckú scénu, in: Slovenský a európsky kunsthistorik Tomáš Strauss. Idey a reflexie. Zborník príspevkov k nedožitej deväťdesiatke. Mária Bátorová (ed.). Bratislava: VEDA, 2021. - str. 52-93. - ISBN 978-80-224-1913-0.

9

V2 Bátorová Andrea, “´Non-systemic Remains of Humanity´ or Creative Dissent as a School of Free Thinking”, in: Two Sides of the Same Coin. Examples of Free and Unfree Education in Slovakia durig the Period of Socialism”, Blanka Kudláčová (ed.), Berlin: Peter Lang, 2023, str. 266-285.

10

V2 Euringer Bátorová, Andrea (aut) [UKOFIVU] (100%): Ateliér v prírode : ochrana prírody a ekologické

myslenie v akčnom umení na Slovensku

UKOVO2024

Lit.: 18 zázn.

In: Človek v konflikte s prírodou: Environmentálne problémy, ekologické myslenie a súžitie s prírodným

svetom v slovenskom divadle : zborník príspevkov z teatrologického kolokvia. - Bratislava : Divadelný ústav,

2023. - S. 163-175. - ISBN978-80-8190-093-8




VI.3 - The most significant research/artistic/other outputs over the last six years
1

AAB Andrea Bátorová, The Art of Contestation. Performative practices in the 1960s and 1970s in Slovakia. 1. vyd. Bratislava: Vydavateľstvo UK, 2019. ISBN: 978-80-223-4698-6. 218 s.

 


2

AEC Andrea Bátorová, 'Bitte drehen sie mich in die richtige Richtung'. Zur Kunst der Kontestation in den inoffiziellen performativen Praktiken in der Slowakei in den 1970er Jahre. In: Adam Czirak (Hg.): Performancekunst als Renitenz. Kritik und ihre Publizität in Zeiten politischer Repression. 1. vyd. Bielefeld: transcript Verlag, 2019, str. 91-115. 



3

AEC Bátorová Andrea: „Outside by Being Inside: Unofficial Artistic Strategies in the Former Czechoslovakia in the 1970s and 1980s“, in: Katalin Cseh-Varga und Adam Czirak (Hg.): Performing Arts in the Second Public Sphere. Event-based Art in Late Socialist Europe, New York; London: Routledge 2018, str. 102-114. 

 


4

AEC Bátorová Andrea, Ausstellungen als (un)politische Medien. Danuvius 68 und II. Permanente Manifestationen (Zur alternativen und inoffiziellen Kunst in den 1960er Jahren), in: When exhibitions become politics, Ed. Verena Krieger, Böhlau: Köln Weimar Wien 2017, str. 163-181.

 


5

AEC Euringer Bátorová, Andrea, Möglichkeit des Entdeckens : Bemerkungen zur Installation von Jana Želibská, in: Dark rooms : Räume der Un/Sichtbatkeit. - Berlin: Neofelis Verl., 2016. - str. 83-110. - ISBN 978-3-95808-120-8.



6

V2 Bátorová Andrea, “´Non-systemic Remains of Humanity´ or Creative Dissent as a School of Free Thinking”, in: Two Sides of the Same Coin. Examples of Free and Unfree Education in Slovakia durig the Period of Socialism”, Blanka Kudláčová (ed.), Berlin: Peter Lang, 2023, str. 266-285.

7

O2 Bátorová Andrea. „Samizdat et art action en Europe Centrale“, in: Hélène Camarade, Xavier Galmiche, Luba Jurgenson (eds.), Samizdat. Publications clandestines et autoédition en Europa, Paris: Nouveau Monde 2023, str. 219 – 228.

8

V2 Euringer Bátorová, Andrea (aut) [UKOFIVU] (100%): Ateliér v prírode : ochrana prírody a ekologické

myslenie v akčnom umení na Slovensku

UKOVO2024

Lit.: 18 zázn.

In: Človek v konflikte s prírodou: Environmentálne problémy, ekologické myslenie a súžitie s prírodným

svetom v slovenskom divadle : zborník príspevkov z teatrologického kolokvia. - Bratislava : Divadelný ústav,

2023. - S. 163-175. - ISBN978-80-8190-093-8

9

V2 Euringer Bátorová, Andrea (aut) [UKOFIVU] (100%): Art history and its narratives in former Czechoslovakia

before and after 1989

In: Revolving documents : Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance

Art. - Zürich : Diaphanes, 2024. - S. 41-61. - ISBN 978-3-0358-0683-0

[Revolving documents #1. Bazilej, 09.06.2022-10.06.2022]

príspevok z podujatia konferenčný príspevok

020 Humanitné vedy

8110 humanitné vedy vedy o umení a kultúre


URL: https://www.diaphanes.net/titel/revolving-documentsnarrations-of-beginnings-recent-methods-and-

cross-mappings-of-performance-art-7577


Registrované v:

OA Open access

VI.4 - The most significant citations corresponding to the research/artistic/other outputs
1


AAA: BÁTOROVÁ, A.: Aktionskunst in der Slowakei in den 1960er Jahren. Aktionen von Alex Mlynárčik, Münster/Berlin, 2009, s. 401 ISBN 978-3-8258-1838-8


References:

1.KEMP-WELCH, KLARA: Networking the Block. Experimental Art in Eastern Europe 1965-1981, Cambridge, Massachusetts; London, England: MIT Press, 2018, ISBN: 97802262038300, str. 420.


2.BRYZGEL AMY: Performance art in Eastern Europe since 1960, Tauris, 2013, ISBN-13: 978-1784994228, pozn. 136, str. 7, 9, 53, 101, 351.


3.GLANC TOMÁŠ: Autoren im Ausnahme Zustand: die tschechische und russische Parallelkultur. Berlín: LIT Verlag, 2017, ISBN: 978-3-643-11182-1, str. 332.


4.FOWKES MAJA: The Green Block. Budapešť : Central European university press, 2015, ISBN-13 ‏ : ‎ 978-6155225925, str. 266.

2


ADE: EURINGER-BÁTOROVÁ Andrea, Celebration, Festival, and Holiday in Former Czechoslovakia in 1960s and 1970s as Art Forms for Alternative and Non-Official Art. In: Centropa, roč. 12, 2012, č. 1, s. 77-91. ISSN 1532-5563


References:

RUSINOVÁ ZORA, Solidarity Born of Despair: Action Art in Slovakia during the Totalitarian Regime, 1970-1989, Centropa, roč. 14, 2014, č. 1, ISSN 1532-5563, str. 117.

3

Citovaný dokument:

AEC: BÁTOROVÁ ANDREA, Alternative trends in Slovakia during the 1960s and Parallels to Fluxus, Fluxus East, Berlin: Künstlerhaus Bethanien, 2007, s. 163-176. ISBN 3-932754-87-5.


Ohlasy:

BISHOP CLAIRE, Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2012,  ISBN-13: 978-1844676903 str. 325.

4


AEC: BÁTOROVÁ Andrea. Ausstellungen als (un)politische Medien. Danuvius 68 und II. Permanente Manifestationen (Zur alternativen und inoffiziellen Kunst in den 1960er Jahren). In: When exhibitions become politics, Ed. Verena Krieger. 1. vyd. Köln Weimar Wien: Böhlau, 2017. ISBN: 978-3-412-50377-2. str. 163-181.

 

References:

KEMP-WELCH KLARA, Networking the Block. Experimental Art in Eastern Europe 1965-1981, Cambridge, Massachusetts; London, England: MIT Press, 2018, ISBN: 97802262038300, str. 27.

5

GII05 Euringer Bátorová, Andrea [UKOFIVU] (100%) : Interview with Katalin Cseh and Adam Czirak [elektronický dokument] : about the Second Public Sphere in the former Eastern Bloc

recenzované

In: Art margins [elektronický dokument]. - č. 23. október (2014), s. [1-6], nestr. [online]. - ISSN (online) 2162-2582

URL: https://artmargins.com/interview-with-katalin-cseh-and-adam-czirak-about-the-second-public-sphere-in-the-former-eastern-bloc/

References:

[o1] 2018 Hunter, R.: Beyond "East" and "West" through The Eternal Network Networked artists' communities as counter-publics of Cold War Europe. In: Performance Art in the Second Public Sphere : Event-based Art in Late Socialist Europe Oxford: Routledge, 2018, S. 19-31 - CPCI-SSH

[o1] 2018 Simonyi, S.: Artists as Amateurs: Intersections of Nonprofessional Film Production and Neo-Avant-Garde Experimentation at the Balazs Bela Studio in the Early 1970s. In: Film history, roč. 30, č. 1, 2018, s. 114-137 - ESCI

[o1] 2019 Troiano, C.: A National Complex: Institutional Photography in Hungary Since 1980. In: Photography and culture, roč. 12, č. 2, 2019, s. 203-226 - AHCI

6

Euringer Bátorová, Andrea [UKOFIVU] (100%) : Alternative Tendenzen in der Slowakei in den 1960er Jahren und ihre Parallelen zu Fluxus, [Alternative trends in Slovakia during the 1960s and parallels to Fluxus]

In: Fluxus East : Fluxus-Netzwerke in Mittelosteuropa = Fluxus networks in Central Eastern Europe. - Berlín : Künstlerhaus Bethanein, 2007. - S. 163-176. - ISBN 978-3-932754-87-5

References:

[o3] 2012 Bishop, C.: Artificial hells : participatory art and the politics of spectatorship. Londýn : Verso, 2012, S. 325

[o3] 2015 Grúň, D.: Performatívne písanie Milana Adamčiaka. In: Třídit slova : literatura a konceptuální tendence 1949-2015. Tranzit, 2015, S. 137

[o3] 2017 Bryzgel, A.: Performance art in Eastern Europe since 1960. Manchester : Manchester University Press, 2017, S. 99

[o1] 2017 Cytlak, K.: Prospective architecture in Czechoslovakia : Convergences and divergences between the approach of the Slovak group VAL (1968-1994) and the architectural theory of Michel Ragon. In: Riha journal [online], (25. 9. 2017),2017, Article Number: 0179 - AHCI

[o1] 2018 Grúň, D.: Amateurism Under Socialism: The Politics of Art Education in the Work of Milan Adamiak, Julius Koller and Jiri Valoch. In: Third Text, roč. 32, č. 4, 2018, s. 434-449 – AHCI

VI.5 - Participation in conducting (leading) the most important research projects or art projects over the last six years
1

Visegrad Strategy Grant

Number of the project: #22120034

Title: Resonances: Regional and Transregional Cultural Transfer in the Art of the 1970s

1.12.2021 - 30.11. 2023

Researcher

 

2

Deutsche Forschungsgemeinschaft

Number of the project: 261273903

Title: Aktionskunst jenseits des eisernen Vorhangs

1.1.2015 - 30.6. 2018

Researcher

 

3

EU Horizon 2020

Number of the project: 692919

Title: COURAGE: Cultural opposition - understanding the cultural dissent in the former socialist countries

2016-2019

Researcher

 

4

VEGA

Number of the project: 1/0841/16

Title: Topography of chosen aspects of representations of body and its relation to space in Slovakia before and after 1989

1.4. 2016 - 31.12. 2017

Researcher/Head of the project 

VII. - Overview of organizational experience related to higher education and research/artistic/other activities

VII.a - Activity, position VII.b - Name of the institution, board VII.c - Duration
Researcher Networking Performance Histories 2018 - today
Member AICA Slovakia 2008 - today
Member ASEEES 2023 - 2024

VIII. - Overview of international mobilities and visits oriented on education and research/artistic/other activities in the given field of study

VIII.a - Name of the institution VIII.b - Address of the institution VIII.c - Duration (indicate the duration of stay) VIII.d - Mobility scheme, employment contract, other (describe)
Universität Regensburg, Germany Regensburg 1.1. 2003 - 31.12. 2007 PhD. studies
Universität Regensburg, Germany Regensburg 1.10. 1999 - 31.12. 2002 Master studies (Erasmus)
Universität zu Köln, Germany Cologne 1.4. 1998 - 31.7. 1998 Master studies
Institut national d´histoire de l´art, Paris Paris 27.05. 2023 – 24.6. 2023 invited researcher

IX. - Other relevant facts

IX.a - If relevant, other activities related to higher education or research/artistic/other activities are mentioned

2021 - writing a ´peer review´ for Routledge for publication for edition of „Dance, Theater and Performance Studies“

2022 - organisation of the conference "Resonances 1: Non-conformist Art under Socialism in Central Eastern Europe and its transnational network: parallel structures, communicating channels and nodes", 2.3. 2022 Bratislava as the first conference of Visegrad Strategy Grant


Research stays in Archives and Workshops:

 

2015 – Berlin, Universität der Künste (DFG)

2016 – Archive Forschungsstelle Osteuropa, Bremen (DFG)

2016 – Archives, Prague (VEGA)

2016 – Artpool Archive, Budapest (DFG)

2017 – Archive T. Gotovaca, Archive and studio S. Ivekovic, Zagreb (DFG)

2017 – Archive Student Cultural Center (SKC), Belgrade (DFG)

2017 – Libri prohibiti, Archive VVP AVU, Prague

2018– Networking, Histories of Performance Art, Zürich

2021 – Archives de la critique d´art, Rennes

2022 - Artpool, Budapest

2022 - Centre de documentation MAC VAL a Bibliothèque Kandinsky/Centre Pompidou, Paris

2023 - INHA, MAC VAL, Bibliothek national, Paris


Conferences (choice):

EURINGER BÁTOROVÁ, A.: Iasy, Rumunsko, "What is to be Done? Methodological Challenges to Art

Historical Research in Central and Eastern Europe", 12.-13. 10. 2023, paper „Art history and

its narratives in former Czechoslovakia before and after 1989"


EURINGER BÁTOROVÁ, A.: Philadelphia, USA, Association for Slavic, East European, and Eurasian Studies

(ASEEES), 19.-20.10. 2023, Contributor to Virtual Panel The Hungarian Avant-Garde and

Socialism: The Art of the Second Public Sphere


EURINGER BÁTOROVÁ, A.: Critical perfomance on site, paper: „The ´islands of positive deviation´: sites of performative artistic strategies in former Czechoslovakia in the 1970s“, Tel Aviv, Israel, Tel Aviv University, 1.-3.5. 2023


EURINGER BÁTOROVÁ, A.: Resonances 4: Equal and Poor – A comparative perspective on Art in Communist Europe and the Global South in the long 1970s, chair of the session: „Exhibiting South South East“, Poznan, Poland, Univerzita Adama Mickiewicza, 17.-18.3. 2023


EURINGER BÁTOROVÁ, A.: „Mapping the dimensions of assymetric performance art hisotires: investigating Velvet Revolution as turning point for formation and framing of narratives of performance art in former Czechoslovakia“, Basel, Museum Tinguely, 9.6. 2022


EURINGER BÁTOROVÁ, A.: Resonances 3: Beyond friendship, „Paradigm Ostkunst in works of Thomas Strauss“, Budapest, Museum der schönen Künste, 12.5. 2022


EURINGER BÁTOROVÁ, A.: Westkunst, 1981: A historiography of modernism exhibited, „Tomas Strauss Anthology: Beyond the Great divide“, Paris, Deutsches Forum für Kunstgeschichte, 10.3. 2022


EURINGER BÁTOROVÁ, A.: Art actions via Mail and other Remote Means of Communication, Secret Correspondance: Tomáš Štrauss as Referential Point of Unofficial Artscene, Online Symposium, Tel Aviv University, Izrael, 19.1. 2021

 

EURINGER BÁTOROVÁ, A.: Exhibitions as sites of artistic contact during the Cold War, účasť s referátom "Alternative Art and Exhibition Practices in the 1960 in former Czechoslovakia", Jasy, Romania, 7.-8.11.2019


EURINGER BÁTOROVÁ, A.: "Left performance histories", Neue Gesellschaft für Bildende Kunst, Berlin, Germany, 2.2. 2018


EURINGER BÁTOROVÁ, A.: 13. Kongress Gesellschaft für Theaterwissenschaft "Theater als Kritik", Frankfurt/Giessen, účasť s referátom "Kunst der Kontestation. Inoffizielle performative Praktiken in der Slowakei in den 1970er Jahren", Frankfurt, Germany, 3.-6.11. 2016


EURINGER BÁTOROVÁ, A.: „Dark rooms – Räume der Unsichtbarkeit“, Exzellenzcluster Bild Wissen Gestaltung, Humboldt Universität Berlin, účasť s referátom „Möglichkeit des Entdeckens – Jana Želibská“ Berlín, Germany, 18.-20.6. 2015


EURINGER BÁTOROVÁ, A.: „Subversive Practices and Imagined Realities in Central, Eastern and Southern Europe after 1945“ AAH Conference in Norwich – Chair of the panel, Norwich, Great Britain, 9.-11. 4. 2015


EURINGER BÁTOROVÁ, A.: „Performance Art in Central and Eastern Europe“ na 102. CAA Annual Conference, účasť s referátom „Mapping the crossovers of tradition, neo-avant-garde and postmodern strategies in Slovak action art of 1960s and 1970s”, Chicago, USA, 12.-15. 2. 2014


EURINGER BÁTOROVÁ, A.: „Performing Art in the Second Public Sphere“, Kulturbrauerei, Berlin, Chair of the Panel "Opening up spaces of performance", Berlín, Germany, 9.-11. 5. 2014


EURINGER BÁTOROVÁ, A.: „When exhibitions become politics“, Friedrich-Schiller Universität Jena, účasť s referátom „Ausstellungen als (un)politische Medien. Danuvius 68 und II. Permanente Manifestationen (Zur alternativen und inoffiziellen Kunst in den 1960er Jahren)“, Jena, Germany, 15.-17. 5. 2014


EURINGER BÁTOROVÁ, A.: „Global Pop“, Tate modern, účasť s referátom „Altar/Objects, Labyrinth/Environment: In the middle of the artwork – artworks as an interactive space in Slovak alternative art in the 1960s“, London, Great Britain, 14.-15. 3. 2013


EURINGER BÁTOROVÁ, A.: „Fluxus East. Fluxus Networks in Central Eastern Europe“, Múzeum Ludwig, účasť s referátom „Parallels to Fluxus in Slovak alternative Art in the 1960s and 1970s“, Budapest, Hungary, 18.4. 2008

Date of last update
2024-10-08